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In Reply to: My message was truncated... posted by EBerlin on March 25, 2006 at 07:48:59:
I asked in my original post if i was simply trying to do something that couldn't be done given the light situation. I was hoping that the software built in to digital cameras might proveide some kind of workaround that i wasn't aware of or that there might be another solution. Joes suggestion of a graduated neutral density filter seems a sensible solution and one which enables me to use the camera in difficult situations.
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...of course that's fine, but if it's relatively easy to wait or reposition such a thing as a car for a situation better suited to a photograph, then I'd say that's the avenue of least resistance.
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Paul didn't have access to a dozen Gaffers & grips to hold scrims and 5k's.Yes, I held an I.A.T.S.E. Stagehand union card.
When you can't sit around all day playing cards waiting for that perfect angle. You have to find the right tools, agree?
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...I'm a documentary filmmaker and we don't use the kind of large crews you're talking about.
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Why all the apparent resentment at the suggestion of adjusting the shooting strategy? It's completely obvious that if it's a situation where you CAN'T control the light then you have to deal with it in "post."But the photo in question was one that could have been handled in a number of different ways; at least it appears so on the surface. A photo where that sort of control is not possible is another matter.
As my initial foray into this forum has been rather unpleasant, I think I'll go away now...
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I reviewed the original post and there was nothing there suggesting that an alternate shooting setup wasn't practical.
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markets in which to appy our trades. Than the majority of shooters here. Thus my simpler answers.
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